25 Albums That Rocked The World by Geoff Brown, David Buckley, Chris Charlesworth, Andrew Doe,

By Geoff Brown, David Buckley, Chris Charlesworth, Andrew Doe, Peter Doggett, Tony Fletcher

From Elvis Presley's sunlight classes to Radiohead's okay desktop, here's some of the best of rock and dad track of the 20th Century. A consumer's serious advisor to the song, permitting the reader to choose some of the best of an artist's repertoire prior to creating a purchasing choice.

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This magnificent piece of logic meant that ‘Rainy Day, Dream Away’ appeared after its intended sequel, ‘Still Raining, Still Dreaming’. ELECTRIC LADYLAND (VERSION 2) June 1991 Tracks: …And The Gods Made Love/Have You Ever Been (To Electric Ladyland)/Crosstown Traffic/Voodoo Chile/Little Miss Strange/Long Hot Summer Night/Come On (Part 1)/ Gypsy Eyes/The Burning Of The Midnight Lamp/Rainy Day, Dream Away/1983 …(A Merman I Should Turn To Be)/Moon, Turn The Tide… Gently, Gently Away/Still Raining, Still Dreaming/House Burning Down/All Along The Watchtower/ Voodoo Child (Slight Return) During the initial phase of remastering for the Sessions box set, Electric Ladyland was sensibly reduced to a single CD (without shedding any of its contents) and the running order was restored to Hendrix’s original instructions.

Stripped of its later ornamentation, it appeared on the 1985 collection, Reconsider Baby. A few months earlier, the boxed album set A Golden Celebration had offered an entire suite of Sun out-takes. Among them was the legendary ‘My Baby’s Gone’, so titled by bootleggers in the early Seventies, but actually an early, bluesy arrangement of ‘I’m Left, You’re Right, She’s Gone’; a pure country fragment of ‘Blue Moon Of Kentucky’; an equally brief ‘I’ll Never Let You Go’; alternate versions of ‘Harbor Lights’, ‘That’s All Right’ and ‘I Don’t Care If The Sun Don’t Shine’; and that magical ‘When It Rains, It Really Pours’.

Artistically, however, it was a different story: the music business understood that something very special indeed was happening in southern California, and Wilson suddenly found himself at the vanguard of the nascent pop revolution, regarded as an innovator, a man with something to say of whom much was expected. Fortunately, the next step was already well in hand: during the Pet Sounds sessions, Wilson had also taken a couple of stabs at another title — ‘Good Vibrations’. ) and, at long last, the first true stereo mix of the complete album.

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