Becoming a Synthesizer Wizard: From Presets to Power User by Simon Cann

By Simon Cann

With the increase electronic recording software program and the appearance of the "one guy computing device song studio" there was an astronomical upward thrust within the variety of individuals with software program tools, yet a lot of those musicians don't know how one can use the modular synthesizers integrated with their song software program courses. "Becoming a Synthesizer Wizard: From Presets to energy User" is the 1st booklet that explains what a modular synthesizer is, the way it works, and the way to take advantage of software program synthesizers to make song. The publication takes a hugely useful method of the topic delivering a readable advisor which opens up the topic to a vast spectrum of readers. It starts by way of explaining what the fundamental development blocks of modular synthesis are, and the way they have interaction. Then it keeps to precise workouts using software program synthesizers that might be on hand to the reader, despite platform or electronic audio pc of selection.

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Extra resources for Becoming a Synthesizer Wizard: From Presets to Power User

Example text

Set Key Tracking to zero, and the whole keyboard range will be quiet and muffled. Key tracking isn’t just used with filters. For instance, you might want to make an oscillator quieter as the pitch gets higher. Anything that can be modulated can be controlled by key tracking. 13) in the Output Level section controls the volume of the synthesizer. While the Volume Envelope has an effect on the volume, this level is not controlled by another envelope (so, for instance, you cannot override it with an envelope or the like).

This would make the sound quite dull and quiet. There is some resonance, but not enough to add much brightness to the sound, nor enough to add much volume. The Cut-Off Envelope slider has been set to a modest level. This allows the Cut-Off Envelope to give the sound some movement—in other words, the character of the sound can change over time. This is important for a pad: A static sound will grate in the context of a track. The modest Resonance setting gives slightly more emphasis to the filter movement introduced by the Cut-Off Envelope.

If you’ve got an acoustic instrument around, play it and listen as you play higher notes. We can reproduce this behavior with synthesizers. 9. You will see that to the right of the filter block is a slider labeled Key Tracking. As you increase the Key Tracking slider, the filter’s cut-off frequency will automatically open as you play higher notes. As with the Cut-Off Envelope, the Key Tracking function will only have effect if the filter Cut-Off Frequency is set at less than its maximum amount.

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